While continuing his music studies throughout the 1980’s, Rob performed frequently in cover bands and taught nearly 70 private students. He earned a BA in Music from Fairleigh Dickinson University (with honors), concentrating on guitar, theory and writing. It was at FDU's Madison NJ campus where he received two full tuition merit scholarships and two awards for Outstanding Achievement in Music.

His first album, Travelin’ Songs ("establishes himself as a talent to watch." – CMJ New Music Weekly) received airplay in the New York, Boston and Philadelphia markets. Life Mileage, Wolf’s next effort, revealed a deeper and sometimes darker view. He performed the cuts "Do You Mind If I Write You a Love Song" and "Couldn't Forget You If I Tried" as a finalist in the 1995 Riverbank Talent Competition (Stow, MA). During that same year, Rob peered into New York City’s Fast Folk Cafe and was overwhelmed by the venue/magazine’s vivid history of cultivating and documenting the work of performing songwriters, including Shawn Colvin, Lyle Lovett, Suzanne Vega, John Gorka and Michelle Shocked. He quickly developed a reputation in the surrounding community as a formidable songwriter and player. This prompted Fast Folk’s founder and legendary singer/songwriter Jack Hardy to take Rob on as guitarist for two European tours and his eleventh album, The Passing.

In 1996, Wolf headed for Nashville. He continued to be inspired by the fierce individualism of the New York scene, but he had long seen co-writing as a potent vehicle. Among those with whom he put pen to paper over the years include Peter Scherer of EMI recording artists Mr. Reality, Ken Darcy, Gavin West, Joseph and Theresa Brunelle, Lisa Aschmann, Geoff Reid, Brett Jones, Barbara Cloyd, Rand Bishop, C.J. Watson, James Otto, Jason Matthews, Lisa Carver, Jonathan Long and longtime friend Tom D'Ovidio. Not Too Far From Texas, a co-write with Andy Gullahorn, led to a single-song contract with Nashville’s Major Bob Music. Rob and his wife Lori J. Ingberg (whom he met in Nashville) earned Honorable Mentions in both the Great American and the CMT/NSAI Song Contests with The Safest Place I Know.

Wolf’s third album, Y2KOTIC, was produced by Sam Weedman. The title track--cowritten with Rachel Owen – took a skewed, playfully irreverent look at the madcap preparations that some of us made as the year 2000 reared its, well, not-so-ugly head. Distributed worldwide on Creative Labs' NOMAD (one of the world's first commercially available mp3 players), the song prompted a group in Brussels to invite Wolf to play there. Wolf was also proud to learn that the band Hurricane Camille performed it on a U.S. Army base in Japan on January 1, 2000 – with no catastrophic consequences. The album’s haunting The Flower Was Gone kicked off a historic Fast Folk Musical Revue at New York City's now tragically defunct The Bottom Line. It was at this show that Fast Folk's archives were officially accepted by The Smithsonian Institution. Wolf received the dubious honor of being banned for life from playing at the Lamb of God Fellowship in West Orange, NJ after having rendered the song as opening act for his friend Dave Murphy. The phrase "breast was a stone" was the clincher.

Not quite satisfied with coma-inducing songwriting blandness, Wolf took his blazingly, politically and religiously incorrect Cross Dressing For Christmas and became a winner in the 2003 Great American Song Contest, received airplay in numerous markets (including Washington DC drive time), and hit #4 on mp3.com. His very well-received, over-the-top-and-then-some Intermezzo attempted to shatter the long-held belief that hip-hop can’t be performed by an overweight, Brooklyn-born Jewish guy from New Jersey squirming in the buckle of the Bible Belt. Rob still lives in Nashville, where he thrives on the vast, rich community of talent. And that's where he's staying. To keep on his craft. To keep those songs coming …

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Singer-songwriter Lori J. "Lo-J" Ingberg moved to Nashville in 1994 from Virginia by way of Boston. She plays piano and guitar and holds a Professional Diploma from the Berklee College of Music where she majored in Songwriting.

She has performed at writers’ nights in and around Nashville including the Bluebird Café’s Sunday Night Writers’ Night and has been a featured writer at Talents Coffee Studio (in Springfield, TN), the Honky Tonk Hardware Store, Cocktails, and at Kathy’s Night Off.

Lori received "Noteworthy" honors in the American Songwriter Lyric writing contest for "Secondhand Smoke". "The Safest Place I Know", co-written with husband Robert K. Wolf, took Honorable Mentions in both the CMT/NSAI and the Great American Song Contests.

With an acoustic guitar, powerful vocals, songs you can relate to .. and a smidge of attitude, Nancy draws her audiences in and invites them to stay for more. Her fans describe her music as "contemporary folk with a rock 'n roll edge," "a cross between Nanci Griffith and Melissa Etheridge," and "Bonnie Raitt meets Carly Simon meets Billy Joel."

What makes Nancy really stand out, however, is her delivery. Her performance is often described as "unpretentious" or "natural, not engineered." And her fans report that she "sings from her soul," and you can "hear the passion in her voice." One friend recently put it this way: "music like Shawn Colvin, delivery more gutsy like Vonda Shepard."

With a flair for the serious and the silly, Nancy makes you come face to face with your own emotions, just as she faces her own. She'll sing what your heart is feeling. And she'll tell it like it really is: "I'm not particularly 'heady' or poetic," she explains. "Music shouldn't be something you have to work at. I use plain English. I write about everyday subjects. I spell it out for you ...maybe to a fault," she admits. "Some days, I wish I could be more ethereal or nebulous. But that's not me."

Check out Nancy's Music for more information on her songs and to order her CD's.: http://www.nancymoran.com/nancys_music.htm

"Moran is nothing short of a late-'90s Joni Mitchell." – Gordon Ely, Richmond (VA) Times-Dispatch

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Fett (who's been going by this single moniker for longer than I've known him) has been playing music for over 30 years and recording it for over 20 years. In and out of the studio, his exceptional ears are the key to your recording success. He'll listen to you and what you want from the recording and then he'll deliver. But he won't get you bogged down in technical gadgetry. All along he'll tell you "It's all about the music!" He's able to balance the desire for excellent recording quality with the need for a heart-felt performance.

For the last 2 years, Fett has also been the Technology Editor for Performing Songwriter Magazine. He has penned several "Tools of the Trade" articles and many more reviews for the magazine. His greatest strength is that he's able to talk about a technical issue in non-technical terms so that anyone can understand it. This is what makes his articles so popular!

And it's also why many people come to Fett for individual consulting and/or group workshops. He's taught several songwriters to set up their own home studios - individually walking them through the process. He occasionally offers recording workshops for songwriters and other musicians interested in recording their own work tapes and demos. He's available to produce and record your demo or full-length album project. Are you interested in recording your material? Talk to Fett. Call him at (615) 834-8613 or e-mail him at studios@azaleamusic.com.

Azalea: A Brief History

Nancy Moran and Fett began working together professionally in the Washington, DC area in 1987. In 1991, they created the Azalea Music Group to promote Nancy's recording and performing career with the Azalea Records label, as well as Fett's engineering and producing career with Azalea Studios. As a result of the growth of their respective careers, they relocated to Nashville, TN in 1993. Since then, the Azalea Music Group has continued to expand, adding workshops, consulting and critiques to its roster of services in 1996.